Favorite Free Knit and Crochet Patterns for Bags

There are so many free patterns to available that I find it a bit overwhelming to choose, or to keep track of the ones I might want to make someday. There are sites that list free patterns, but they only list the name, not a photo of the piece. Even Ravelry can get overwhelming. So I'm going to start linking to favorites of mine, with pictures. Hopefully someday I'll be able to include my own photo of each of the items....

"Sunburst Granny Bag" by Rajeswari on her blog diapermum is a fresh colorful take on a summer bag. It's got a very thorough tutorial and a link to instructions on making the sunburst square.

Hexagon Beach Bag in Sugar'n Cream

Made out of Lily Sugar'n Cream this brightly colored crocheted beach bag (the body measures 15" x 17") requires just 15 motifs.And at just under $2.50 a ball, the whole bag is only $20. Seems like a perfect summer project! Get the free pattern in .pdf format here from the Lily website.

Materials needed:
Lily® Sugar’n Cream® (70.9 g/2.5 oz; 109 m/120 yds)
Contrast A
Red (00095) 60 m/66 yds or 1 ball
Contrast B
Hot Orange (01628) 65 m/71 yds or 1 ball
Contrast C
Yellow (00010) 90 m/100 yds or 1 ball
Contrast D
Hot Green (01712) 95 m/105 yds or 1 ball
Contrast E
Light Blue(00026) 200 m/220 yds or 2 balls
Contrast F
Mod Blue (01111) 215 m/236 yds or 2 balls

Size 4 mm (U.S. G or 6) crochet hook or size needed to obtain gauge. Optional: Fabric for lining approx 18” x 36” [45.5 x 91.5 cm].

"Staghorn" Cabled Purse in Sugar'n Cream

This knit bag with a large cable stitch repeat reminds me of the Margaret Nicole Bags that I've seen in Vogue & Elle and that are $150 to $200! This one is 18" x 10". You could easily substitute either the straight or round handles that Margaret Nicole uses and add a big satin ribbon. And with only 4 balls of yarn needed, it will only be about $10 for the yarn plus a few dollars for the handles. Download a .pdf of the pattern here from the Lily website.

Materials needed:
Lily® Sugar’n Cream® (70.9 g/2.5 oz; 109 m/120 yds)
Ecru (00004) 345 m/375 yds or 4 balls
Size 4.5 mm (U.S. 7) knitting needles or size
needed to obtain gauge. Cable needle.
2 leather purse handles 24” [61 cm] longas shown in the picture. Or substitute Round Bamboo Handles

Inga's Bag

Another great crocheted bag. It's the same square that's used in the Babette Blanket. Which gives you something to do with the squares you've already made but have come to realize you'll never get enough done for the whole blanket.....
Download the pdf for the bag here.

The bag is shown here in a cotton yarn from the UK called Anchor Magicline. It's essentially the same as Lily® Sugar’n Cream, which also comes in a variegated blue that would look very much like the Magicline.

Stripey Noro Messenger Bag

I can't think of anything I've seen in Noro that I don't love, but this striped knit bag is pretty terrific. Striped knitting is so much fun with Noro yarns. I always work through it very quickly because I'm so excited to see what happens next with the yarn. And the shape and size of this bag are just what I like, big, but not huge. Designer Deborah Cooke talks about it in a blog post, and the pattern is available to download on Ravelry.

It calls for 3 skeins of Noro Kureyon and 3 skeins of Patons Classic Wool Yarn.

The Simply Lovely Clutch

Seattle Yarn features another Noro Yarn, Tidiori, in this quick to make knit entrelac clutch. The relatively small size, 8" x 5" make this bag a great way to ease into learnign to knit entrelac. Tidiori was discontinued in Spring 2007, but Noro Silk Garden would make an excellent substitute. the pattern is available as a free pdf download on their website.

I'm intrigued by both the unusual shapes of this 

crocheted bag. A free download on the Interweave

 site, the bag is crocheted with 4 different colors of Rowan Cotton Glace: Heather #828 , Shoot # 814 , Sky #749 and Persimmon #832 . (The pattern calls for Pier Blue which has been discontinued, but Sky is a very close shade.) You'll  need 1 ball of each.











A cheerful summery bag to crochet is available on the Drops Design site. The Sicily bag calls for size 3.5 mm/E/4 (or size needed) to get 17 dc = width 10 cm / 4''.  1 square = approx. 10 x 10 cm / 4'' x 4''. 

How to Make Your Own Gesso

I've become quite enamored with Gesso lately. I started using it on my Art Journal pages and discovered that it gives a much better surface for mixed media and keeps the paint from bleeding through the back side of the page. I like the Liquitex brand best, but it gets a bit expensive since I like to slather it on with a credit card pretty thickly.The best price I've found is on Amazon:

Meanwhile, I'm going to research and experiment with making my own gesso to try to save some money.

Historically, gesso was made by mixing calcium carbonate, gypsum, and/or chalk with glue. When applied to wood, it hardens to a bright white and can be used as both a primer and a material for sculpting (like the raising, decorative work on frames). In Renaissance times gesso was used as a ground for tempera paint. On furniture and decorative moldings it can be built up and carved into. Historically, gold leaf was applied to wood that had been coated with a layer of gesso.

Modern gesso follows the same principles, but adds acrylic polymer and chemicals to maintain flexibility.

Calcium Carbonate is a chemical compound (formula CaCO3) that is commonly found in rocks all over the world. It is the main component of seashells, snail shells, pearls and eggshells. It's the active ingredient in agricultural lime & is the primary cause of hard water (it's the hard white stuff that builds up on your bath fixtures). It's also what used in calcium supplements & as an antacid, but taking too much can be hazardous. Easier than grinding up rocks and shells, Plaster of Paris (the result of calcination of gypsum) can be used. Chalk can also be used, but the "real" kind, not the synthetic stuff you buy at a school supply store.

I've found that whatever gesso I use, it's really hard on brushes. I use a really cheap brush that I only use for gesso application, and don't expect it to last very long.

MAKING YOUR OWN GESSO:

There is lots of research on historical methods of making gesso. The product we buy today is a modern version of the original.

METHOD #1: (Plaster of Paris and Glue)

1. Slake your plaster of Paris by mixing together 1 part plaster of Paris and 4 parts water. Let the mixture sit until the plaster settles to the bottom. Then pour off the water and mix again. Repeat this process three times. The plaster reacts with the water. If the mixture gets warmer than when you started, repeat the process. If it appears to be the same temperature as when you started, then your plaster is slaked.

2. Scoop out the plaster of Paris and let it dry completely. Break up any clumps that appear (they may have pockets of moisture). Use a standard kitchen cheese grater and grind it into a fine powder.

3. Mix three parts of the slaked plaster of Paris to 1 part white glue. Add several drops of honey to every tablespoon or so of this mixture. Mix thoroughly and pound out any lumps. Your mixture should have the consistency of pancake batter. The gesso is now ready to use.

4. If you want to color your gesso, mix in a coloring agent. Watercolors, gouache oR acrylics all work well, are fairly inexpensive and easily acquired.

Store your gesso in an airtight container. Add a little water if the gesso becomes too dry. When applying gesso never put your brush directly into the storage container. Always pour out what you need and discard what you don't use. Gesso is easily contaminated and the whole jar can easily become a stinky, rotten mess.

Plaster of Paris is available at most art/craft shops or by mail from Amazon.

METHOD #2 (Dextrin Powder, Plaster and Glue)

1. Mix together 1 cup of dextrin powder (you can order Dextrin / Fine Yellow Powder / 2 Ounces / 100% Pure / Food Grade / SHIPS FAST FROM USA online) and 1 tbsp. of hot (minimum 110 degrees F) water in a mixing bowl. (Yellow dextrin is a glue product, not to be confused with white dextrin which is a food additive that's used as a binder to hold things together. Then there's malto-dextrin which is yet another food additive. But it's yellow dextrin that you want for gesso.)

2. Add 1 tsp. of the dextrin solution and 1 tsp. of standard white craft glue in a separate mixing bowl and stir. Add 1 tbsp. of patching plaster and mix well.  This makes a fairly thick paste, suitable for making raised decorative shapes on frames etc. The paste should be pretty stiff but still viscous enough to pass through a 1/4-inch pastry tip. Scoop the gesso paste in a pastry bag fitted with a 1/4-inch diameter pastry tip. Apply the paste as needed and allow 2 hours for it to dry.

3. To use the gesso for priming canvas or paper for painting or mixed media work, add 1/4 cup of hot water and mix well. 

Store your gesso in an airtight container. Add a little water if the gesso becomes too dry. When applying gesso never put your brush directly into the storage container. Always pour out what you need and discard what you don't use. Gesso is easily contaminated and the whole jar can easily become a stinky, rotten mess.

METHOD # 3 Chalk & Glue

Follow Method # 1 instructions substituting chalk for the grated plaster. I'm lucky to have a rock-climber in the family, so I can dig into his Black Diamond Loose Chalk 300g BD5504950000ALL1 bag. It's pretty cheap, and easier to use than making plaster, drying it & grating it. Calcium Carbonate - 1 lb. is technically what was used historically. It's a little more than $6 a pound.


METHOD #4 A Modern Adaptation of Cennino Cennini's Recipe
Tom Irizarry has written an interesting article on adapting ancient recipes to modern times can be found here. It also has a good bibliography for further study.

I'll continue to update with resources. Please add comments with your own research and relevant links.

Upcycled Vespa: Using Glass Tile Mosaics to Make a Garden Planter

Mosaic Planter upcyled from a Vespa

Brilliant! An old vespa covered with mosaic tile & turned into a garden planter. According to the blog post by the crew at Enfrente Arte, a small hotel and production collective in Ronda, Spain they got the non-working Vespa from a neighbor and covered it with glass tiles left over from earlier construction projects. The hotel is decorated with upcycled furniture and decor made from all sorts of found objects that have been artfully repurposed. Looks like a very charming hotel that mixes old and new in a beautiful setting.

How to Create a Grid in Photoshop

I wanted to make a grid to lay up 32 cm (1.25") squares with a space of 1 cm between each square. The Photoshop Help was no help, so here's what I figured out to do in Photoshop (this assumes you know the basics about Photoshop as I haven't gone into complete detail):

1. After much trial and error, and being decidedly mathematically challenged, I created a new document 35 mm by 35 mm. (to get about 1 cm of space betweeen the squares)
    
2. I went to: Select » All
    
3. I chose Edit » Stroke. For Stroke, I entered a value of 1 px; in the Color box I chose black, because I wanted to be able to easily see the gridlines. For Location I chose Center, then clicked OK. I then created a second line using the rectangular marquee tool to create a marquee 1 cm inside the edge & again Edit » Stroke (using all the same selections in the dialog box.)
    
4. I chose Edit » Define Pattern and named it 35 cm grid, then clicked OK.
    
5. I created another file that's 8 1/2 x 11 and 300 dpi.
    
6. I created a New Layer.
    
7. I went to Edit » Fill, chose Pattern, then chose my pattern. (Under Blending the Mode is Normal and Opacity is 100%)
    
8. I then manually centered the image on the page.
    
9. Choose File » Print. I got a notice that the image is larger than the paper, but it doesn't matter how it crops since the image is centered on the page.

If you'd like to just use the grid I made, here's a .pdf file of the 8 1/2 x 11 sheet.

Loteria ATC's

I've just started making, trading and collecting Artist Trading Cards inspired by the Mexican Game Loteria.

I'm just playing around with different ideas now, heading toward creating a deck of my own one day. Until then, here are the cards I've made, and traded so far. I've used scans from the original deck I've had for years.

Loteria ATC: #6 La Sirena

Loteria ATC: #7 La Escalera

Loteria ATC: #41 La Rosa

And here are photos of cards I've received from artists:

47-La Corona. Received from Belinda Shields, 4-18-12

If anyone's interested in trading please leave me a message below

Free e-book on Copyright Issues for Artists

Interweave Press has recently posted a free e-book titled "Know Your Rights: Copyright 101 for Artists".

image is from the Interweave Press website

(According to my reading of the book I can use the photo above, from their website, since I credited them, plus I don't profit in any way from using it. Hopefully, I'm interpreting it correctly....)

The relatively short (11 pages) pdf file uses a q & a format and covers, an an understandable and not-too-legalese way, the issues around copyright as it applies to artists, knitters and designers. Seems like a good thing to have on your computer to refer to when questions arise.

The Sketchbook Project 2012

My sketchbook arrived today from Art House Co-op. It's a 32 page, 5.25" x 7.25" book that I'll fill up and mail off to the Brooklyn Art Library as part of their project. For info on participating in the project, or going to visit one of the sites on the World Tour visit their website. You can also sign up to partipate in the 2013 Project and look into joining one of the other group projects they've got in work.

blank Sketchbook

I nicked the photo from their website since I've already got mine in the press trying to dry the first page flat.

I finished it by the deadline!

Here's a slideshow of the images:


And here are individual images:

Although I've been making sketchbooks and journals for personal viewing for a while now I found myself paralyzed when I considered the possibility that someone might actually look at what I've done.

maybe it's the book format I fear

the paper itself is a bit intimidating

it could be myself I fear. alone. isolated. and certainly morbidly afraid of being egotistical.

things should be in balance

sometimes you've got nothing. and then you've got too much paint on the paper to do anything about.

sometimes you're inspired by things you haven't seen yet

quickly filling space

sometimes when you repeat something you don't really like it gets better. sometimes not so much

decorative flowers always area good space filler

when a particular material or technique doesn't end up quite right do more of it

fear of criticism. something sparkly and shiny is distracting

yellow can be very disturbing

disorder can be quite disorienting

Although I've been making sketchbooks and journals for personal viewing for a while now I found myself paralyzed when I considered the possibility that someone might actually look at what I've done. Having decided to "face my fears" in the sketchbook, I ended up (as with just about everything in my life) with some pages I love, some I hate and some I'm indifferent towards. I did however, based on this process decide to take some classes at my local community college and further face my fears.